Luigi Mancinelli
Born: Orvieto (Papal States), 3 Feb. 1848
Died: Rome (Italy), 2 Feb. 1921
Mancinelli was a cellist as well as a conductor. He conducted at
Covent Garden, in Madrid, and in Buenos Aires, where he led the
inaugural performance of the Teatro Colón.
He made his Metropolitan Opera début in Faust,
which re-opened the house on Nov. 27, 1893,
after a fire which had closed the house the preceding season. During nine
seasons as leading conductor, he led the first Met performances of
Werther, Falstaff, Samson et Dalila, Le Cid, The Magic Flute, La
Bohème, Don Giovanni, and Ernani, as well as his own
opera, Ero e Leandro.
His popularity was rivaled only by that of Toscanini for many years,
and had he not arrived late on the disc recording scene, Mancinelli would have certainly been
better known today. The only recordings made of him conducting are those made from the flies
of the Metropolitan Opera house by Lionel Mapleson in 1901-02.
He apparently wrote
Ero e Leandro in forty days, during a tour of the United States.
Operas
- Isora di Provenza (Romantic Drama in 3 acts, Angelo Zanardini, Ricci
and Mantovani; Bologna, 1884)
- Ero e Leandro (Lyric Tragedy in
3 acts,
Arrigo Boito ("Tobia Gorrio"); Madrid, 1897)
- Paolo e Francesca (1 act, Arturo Colautti; Bologna, 1907)
- Sogno d'una Notte d'Estate (Lyric Fantasy in 3 acts, Fausto Salvatori;
1919)
Selected Other Works
- Messalina (Prelude and Intermezzo for the drama by Pietro Cossa,
1876)
- Cleopatra (Symphonic Intermezzi for the drama by Pietro Cossa, 1877)
- Tizianello (Five pieces for the comedy by Erik Lombroso, 1880)
Cantata del Lavoro (for soprano, tenor, and orchestra with chorus; verse
by Augusto Berta, 1898)
- La Vida es Sueño (Adagio and Waltz for the Association of Writers
and Artists, 1887)
Missa In Honorem Beata Mariæ Virgine, sub
titolo Auxilium Christianorum ad chorum quatuor vocum inæqualium. Mass
for
mixed chorus and orchestra [and organ reduction], in G. (1899)
- Isaia (Cantata, words by Giuseppe Albini, 1887)
- Frate Sole (Film score: Symphonic poem for chorus and orchestra from
the
tale by Mario Corsi, through Tespi-films, Rome; 1918)
- Giuliano L'Apostata (Film score: Symphonic poem for chorus and orchestra
from the tale by Ugo Falena, through Bernini-films, Rome; 1920)
contributed by John Mucci
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